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GQ, october 2016

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Trying to be helpful

“Well hello and welcome to Barnes and Noble!  Looking for a magazine? Follow me right this way.

Here we have our Women’s Interest section.  You can see there is a section for Brides.  Those brides look about your age.  Are you married?”

 

“Look at all these cover photographs of pretty ladies doing nothing in particular.  Women’s Interests also includes cooking, weight loss, and just looking gosh darn pretty! Not interested?

Perhaps you enjoy physical activity without the purpose of weight loss? I thought as much! Here’s our sport section.”

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“Hmm, there doesn’t seem to be anyone who looks quite like you…

Are you an artist?”

“You have to squat for the art section, kay?

What exactly are you looking for, anyway?”

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“Ah, I…see.  I’ll leave you alone then.”

~~~

Dear GQ reader,

As you can see, we have given you a selection of cover photographs to choose from this month.  The content is the same.  Please choose based on the image with which you most identify, based on age and ethnicity.

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Good choice. The theme for this issue is how to never go out of style.  We will show you the world’s handsomest man, and give you a look inside the mind (i.e. Q&A interview) of the guy behind that explosively successful musical.

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(page 122-126 of 182)

Dear reader, we like Kurt Russel because he has always just been himself.  How has he done it?  By maintaining good hair, not fussing around, and just generally being decent. These are the hallmarks of being just right.

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Here are some great interpretations of advice we gleaned from talking with Kurt Russell. We thought you might like to run away; build charisma and charm;  straight-talk elders; and make money while doing it.  Basically, we know you’re looking for shortcuts on how to be you, and we’ve got them.

Our favorite part about writing this feature article on Kurt Russell was including all the direct quotes that actually came from the interview!  That’s right, we gave you full paragraphs of ideas from the man himself.  We thought you also might appreciate his raw honesty about is career, and his candid use of the word “fuck”!

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How fun!  We learn more about Kurt Russel from Kurt Russel than we do from the author!  Unlike this article in Marie Claire, where we learn more about the system that the author and Kate Hudson are a part of, instead of Kate Hudson.

Here at GQ, we celebrate Kurt Russel’s right to be inappropriate.  In fact, being inappropriate got him to where he is today, because he’s just being himself, after all, which is just right.  Kurt Russell will say it like it is, which is why we like him so much. There are some women we like for this, but we won’t feature them.  We target a male audience.

We let the other guys get away with fucking (!) around too, because gosh, they’ve earned it, even so early on in their careers!  We celebrate their free-thinking so much that we let their very words grace our pages.

Check out how chill and real this guy from broadway, Lin-Manuel Miranda, is. We’ve included over 2,000 words of words from the subject of the article himself. Kate Hudson has nearly 600 words.

Now that you’ve fed some of your interior life and artistic process, we thought you might like to learn how to wear a suit from James Marsden, the handsomest guy in the world.

With looks so good they are sure to annoy.  But what about his personality?

We wanted this article to act as a pedestal for this man who is considerate, according to author, Anna Peele.  We close this article with a funny scene.  Anna sits down with James Marsden for lunch.  He tells a funny joke!

Look at the funny joke he tells us!!!!

All in all, we love him for it.

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hehe!

Dear reader, please let us know what you might like to see more of, see less of.  Please be honest.  We love that.  Unless you want us to show how we don’t celebrate the same qualities in women as we do in men.  We won’t.  Women are pretty, especially when they look like each other, and that’s it.

Cheers.

The Stinking Trail Leads to Who We Are

In the chorus to their song “The Economy Is Suffering,” Anti-flag and what sounds like 1,000 other voices sing, “we’re so fucked, and we don’t give a fuck,” which is pretty much how I feel about the shit-slinging that’s defined this campaign.  Now it smells so bad we’re crying.  It’s a trail that stinks, so maybe, redeemably, it leads to truth.

A campaign is a competition.  Are the political parties competing, or have the borders dissolved, and we’re now just “the people” defending our values, salvaging morality?  What will emerge unscathed after this hot stinky fight?

Perhaps I should have seen this coming, way back when the 11th GOP penis debate happened (there’s website called penissizedebate.com which I’m sure, much to the site owner’s glee, spiked in traffic).  Maybe it’s a conversation we need to be having: penis size.  As a woman, I know that if I had a penis, I would love it, big or small.  The only thing that makes me not a man is not having a penis. Penis or no penis, we’re the same. Feminists can get on board with empowering the pussy, but to me, that’s just like putting a pink bow on the same problem of gender identification.

If the attachment to our identity with one particular gender disappoints us, we seek external means, like money, to compensate. There’s nothing wrong with financial success. If you build yourself onto a mountain, people have to love you for you, not your mountain. They may resent you for your mountain.  All the more reason to be humble.

Humility with just a dash of flaw, sure. This fight has painted the humility out of Donald Trump. We may run into the arms of mother.

If this stinky fight has liberated anything within me, or inspired me to do anything, it gave me permission to call shit shit, because sometimes there’s just no other way to say it. Maybe we need to talk about penises and pussies, because that’s politics. Maybe we need to sing that we’re so fucked and don’t give a fuck just to bear the fact that we actually do. We stop watching the shit fly and discover what most needs our care.  For us, it’s not the policies.  It’s clean and right at home.  It’s who we are, and let that determine whatever rings true.

What Does Your Beauty Look Like?

I have a problem wearing makeup. At twenty-eight years old, I have an understanding—partly from my mother—that I’m young enough to get away with it, but if I want to attract a mate, at least one of hetero-persuasion, or be seen as “successful” in the professional world, I might need it.

The first and last time I let a makeup artist at Sephora draw on my face, I thought I looked like a bronze monster with spiders for eyelashes, but walked out wanting to sport this popularized look for the rest of the day.  It drew unwanted attention.  Attention I wasn’t used to.  When I cleaned it off later that night, I thought, “I could never do this, day in, day out.” All this makes me wonder what looking successful has to do with being successful.

The following adverts define success in such ways:

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Success = Fame, being photographed, groped

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Success = Physical body, being photographed

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Success = Physical body, especially being noticed by a man

We all have egos. That’s normal. But we also want to be loved, without having to go through the extra special care of learning to love ourselves. Ego thinks it can help get us there, to that place of perfect happiness and bliss. It fuels desire for fame, which is not synonymous with success. Fame occurs as a byproduct of success, which is usually the product of hard work driven by passion, vocation, or money itself. The message we don’t see is that though success (internal) may lead to fame, fame (external) doesn’t lead to success.

Why do we desire fame? We want to be indelible, the best parts of ourselves—the parts we perceive as best, or the parts others perceive as best—we want in the limelight. Please, look at me, so I can look at, maybe even love, myself. 

But there’s no one in that gaze. Your self isn’t there.  It’s somewhere inside you, beyond influence, steadfast and true.

A woman may be malnourished and/or depressed, but because she’s wearing makeup and her hair is shiny, it’s OK.  Her interior life, her struggle, doesn’t matter.  What does our makeup hide—what does it reveal?  When a woman is objectified, she becomes the object, the thing that wears, that touts “success,” for even when she is not splayed on a divan wearing diamonds and jewels, her hairstyle, makeup and body—her physical appearance–are enough to completely override her internal reality and still convey the illusion of success which thrives on the photograph, the object that she makes herself to be.

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We don’t know these women. Yet the photograph can be appreciated for its aesthetic appeal. The subject matter is love (?); the subject (or the object)—real people—is lost.

The more you look at she—the photoshopped vixen that graces every women’s magazine—the more mental power you give her, and the more you take away from your unbiased, free-thinking. The root of my makeup quandary goes beyond a preoccupation with physical beauty. It’s more than a trend to “go bare” for the day. It’s a lifestyle, a choice, one that reflects who you want to be.

Wearing clothes you don’t like, makeup you don’t want, just further shrinks ourselves from ourselves.  We need our selves!  Our self is the child we are, self-assured and neutral, that has the information we need to reclaim our full potential as growing, evolving beings. This fetishization of narrow forms of beauty has somehow led us to believe that beauty is not only synonymous with material success but is undeniably the first step toward becoming successful.  It’s not true, but in this culture climate, it’s a fight.

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(from left to right: Virginia Woolf, Sylvia Plath, Anne Sexton) Another type of narrow beauty fetishization: the pretty-to-look-at oppressed writer. The “consequence” of her truth? Emotional implosion.

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(from left to right: Kathleen Hanna, Brody Dale, Courtney Love) The exhibition of martyrdom. Message: emotional explosion leads to attention and fame.  Her truth is fast. The “consequence” is a crash.

BEAUTY = TRUTH

TRUTH = BEAUTY

It would seem we’re dealing in extremes. Women must either sulk to have their stories read, or shout to be heard. Each woman acts from her own life experience, in different locations, during specific periods in history. And each, of course, grapples with the individualized circumstances surrounding her life. But whatever path she tread, may she have an objective view of her choice, raw and unhindered, in the light not from his camera, but from her own within.

We need to get real with ourselves before we can be seen as real.  Getting real with ourselves may look different than the narrow forms of beauty that are celebrated–it may require tangled hair, smudged eyeliner, no makeup, tattered t-shirts and underwear, which are all details of exactly what being real can look like, in all its glory.  So let’s wear our glory on stage.  Let’s wear the real us, unabashed, unashamed, unspoken for.

 

 

The Cost Extreme Individualism Has On the Human Condition

In Western culture, we cling to the individualization of the self, and easily fall into the trap of viewing ourselves as separate and complete entities from the rest of the world, our associates, our friends and families.  However, we are not complete without realizing our interconnectedness to these other selves.

Individualism to the extreme becomes disconnected autonomy, an illusion of the self as independent not only from other beings but also the will of Chance/Fate/The Universe/God. Extreme individualism breeds contempt for other beings.  When people get in the way of our idealistic vision or disrupt our polluted autonomy, we seek to alter or eradicate them.

As long as we view ourselves as self-contained vehicles for gain of material wealth, our perception of the self as united with all selves is numbed.  All beings must coexist, so must all selves.  We must give selflessly to be selfless, to be full.

Ego is like a magnet that attracts material. It has no foundation upon which it can realize itself.  That is why the richest man or woman on the mountain, surrounded by possessions, even people, is unhappy.  She does not know who she is.

That it because her identity is comprised of objects, including people, her attachment to which is simultaneously gratifying and miserable.  The process of self-knowledge is one of discovery, experiencing everything as it is, without attachment to the people, places and things that claim to be everything.

⭐ be wary of what claims to be all ⭐

a fear-driven election

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I found the debate on October 9 uninspiring, until this morning, when I walked to Quickchek for coffee and a man standing outside the store looked me up and down. That was all and enough. Maybe he’d watched the debate last night and decided to, instead of saying or doing more, stay still and silent simply because we may soon have a female president.

!what a thought.

Maybe I would feel safer, more protected, if Hilary Clinton were president. Maybe I’d feel less safe, more susceptible to blatant objectification, if Donald Trump were president. Maybe someone would think it’s OK to catcall, to touch, to rage. Injustices are happening now, but would they amplify? I can’t say that my fear doesn’t grow out of the possibility.